|
| Permanent
Collections Major Museums |
Academic
Degrees
|
| |
|
| The
Guggenheim Museum of Art, New York, NY |
B.A.,
DePauw University, IN
|
| Walker
Art Center, Minneapolis, MN |
M.A.,
New York University
|
| Nat'l
Museum of American Art, Washington, D.C. |
Honorary
Doctor of Fine Arts,
|
| Museum
of Contemporary Art, Chicago, IL |
DePauw
University, IN
|
| Corcoran
Gallery of Art, Washington, D.C. |
|
| Indianapolis
Museum of Art, Indianapolis, IN |
|
| Detroit
Institute of Art, Detroit, MI |
|
| Musuem
of Modern Art, New York, NY |
|
| Seattle
Art Museum, Seattle, WA |
|
| Malmö
Museum, Sweden. |
|
| Fine
Arts Museum in Santa Fe |
|
| |
|
| Selected Listing of Books |
| 2005 |
Women's Culture in a New Era: A Feminist Revolution, Gayle Kimball |
| 2005 |
Performances of the Sacred in Late Medieval and Early Modern England, edited by Susanne Rupp and Tobias Doring, The Lady's Supper, Ina Schabert |
| 2004 |
The End of Art, Donald Kuspit, Cambridge University Press |
| 2003 |
Disappearing Witness: Changes in 20th Century American Photography, Gretchen Garner, Johns Hopkins University Press |
| 2003 |
Alternative Art New York 1965-1985, JulieAult, ed, Drawing Center,U of Mn. Press
conversations)
DAP distribution NYC, www.artbook.com |
| 2002 |
The
Art of Mary Beth Edelson, (200 pg. color illustrations, 5 essays &
conversations)
DAP distribution NYC, www.artbook.com |
| 2001 |
Art
and Feminism, Reckitt/Phelan, Phaidon, London |
| 2001 |
Feminism-Art-_Theory:
An Anthoglory 1968-2000. Hillary Robinson, Blackwell Press, UK |
| 2000 |
Picturing
the Modern Amazon, The New Museum, Frueh, Fierstein and Judith Stein,
Rizzoli |
| 1999 |
Where
is Ana Mendieta? Identity, Performativity, and Exile, J. Blocker,
Duke Univ. |
| 1997 |
Suffragettes
to She-Devils (2 photos & text) Phaidon Press Ltd. London |
| 1997 |
Art
and Propaganda in the Twentieth Century, Toby Clark, Calmann &
King, Lond. |
| 1997 |
The
Vocation of the Artist, (photo & text),Deborah Haynes, Cambridge
Univ. Press |
| 1995 |
The
Pink Glass Swan: Feminist Essays on Art,, Lucy R. Lippard, New Press,
N.Y |
| 1995 |
Time
Capsule, edited by Robin Kahn, published by Creative Time, SOS Int'l. |
| 1994 |
Lone
Visions, Crowded Frames, (3 photos+text)Max Kozloff, U of New Mexico. |
| 1994 |
The
Power of Feminist Art, Norma Broade & Mary D. Gerrard, Harry Abrams |
| 1994 |
Visions
of America: Landscape as Metaphor. Denver &Col. Art Mus.,Abrams |
| 1993 |
The
Modern Artist as Shaman, Mark Levy, pp 24-41, Bramble, CN. |
| 1993 |
Firsthand:
Photographs by Mary Beth Edelson 1973-1993 and Shooter Series,
essay by Jan Avgikos, "No Reverse Gear," 40 pp, 89 photos,
self-pub, NYC. |
| 1992 |
Mutiny
and the Mainstream: Talk that Changed Art, 1975-1990, Midmarch Press |
| 1992-95
|
Understanding
Art, Lois Fichner-Rathus, Prentice Hall, N.J. (first-fourth ed.) |
| 1991 |
The
Dancing Goddess, Heide Gottner-Abendroth, translated by Maureen T.
Krause, Beason Press, cover image. 5 photos, extensive text on MBE. |
| 1990* |
Shape
Shifter: Seven Mediums, Mary Beth Edelson, interview with Mel Watkins,
|
| 1989 |
Vanishing
Presence, Walker Art Center, Adam Wienberg: chap on MBE, 14
photos, Rizzoli. |
| 1989 |
Making
Their Mark: Move into the Mainstream, Randy Rosen, Abbeville Press. |
| 1984 |
A
Concise History of American Painting and Sculpture, Matthew Baigell,
photo
and text, Harper & Row. |
| 1983
|
The
Amazing Decade, Moira Roth & Mary Jane Jacobs, (2 photos &chap.)Astro
Artz, L.A. |
| 1983 |
The
Art of Performance: A Critical Anthology, G. Battcock & R. Nickas,
E.P. Dutton |
| 1983 |
Overlays:
Contemporary Art and the Art of Prehistory, Lucy R. Lippard, 20 photo
&
text Pantheon Books. |
| 1982 |
The
Politics of Women's Spirituality: Essays on the Rise of Spiritual
Power Within
the Feminist Movement, Charlene Spretnak, chap. by MBE, Anchor, Doubleday. |
| 1980 |
Seven
Cycles: Public Rituals, Mary Beth Edelson, introduction by Lucy R.
Lippard,
64 pages, 140 photos, self-published, NYC. |
| |
| Video
Tapes |
| 2006 |
What's Performance? Mary Beth Edelson (in the works) |
| 2000 |
Conversations
Between Artists including: Nancy Spero, Carolee Schneeman
and Miriam Schapiro with Edelson |
| 1999 |
Just
Looking: Mary Beth Shops for a New Mate. |
| 1997 |
Biting
and Picking, video produced for Berlin exhibition sponsored by halle
fur
kunst, titled "Female Perversion" |
| 1994 |
Combat
Zone: Campaign Hq. Against Domestic Violence-the video,10 min. |
| 1993 |
Visiting
Artist Lecture Series, University of Colorado, Boulder, 40 min. |
| 1993 |
22
Others Project, Interview with MBE by Char & Mike Gardiner, 15
min./60 min. |
| 1989 |
For
Arts Sake #6: Mary Beth Edelson, interview by Pauline Kayes, produced
by
Peggy Shaw for public television, Parkland College, IL. |
| 1988 |
Art
installations, Mary Beth Edelson, produced by R. D. Garrett, Dr. Jami
Smead,
college access channel 6, Fort Wayne, IN. |
| 1985 |
The
Art of Mary Beth Edelson, narrated by Donald Kuspit, produced by
Gerry McCarthy, Roanoke Public TV. 15 min. |
| |
| On-line
Web Sites and CD-Roms |
| The
World's Women On-Line http.//www.asu.edu/asu-cwis/as/isa/ |
Women
Artists on CD-ROM: A Multimedia History of Women Artists, Their Lives,
Works
and Times. In't Ref., ed. div. MacMillian Publishing. June 1997
http://forgrening.a51.no- Borders
Workshop |
| |
| Who's
Who Listings |
| Who's
Who of American Art |
| Who's
Who of American Women |
| Who's
Who of Professional & Business Women |
| International
Biographical Center, Cambridge, England |
| Foremost
Women of Twentieth Century, I.B.C. |
| International
Who's Who of Women |
| |
| Selected
Listings of Reviews, Articles, and Publications |
| 2006 |
18 reviews and articles of the retrospective "A Well Lived Life," Malmokunst Museum, Sweden |
| 2006 |
Maybe Not the First Postmodernists, but Who's Counting, New York Times, 1/8/06 |
| 2004 |
Indisk Mat, Collaboration with refugee community, Lofoten, Kablevag, No |
| 2003 |
Art and Politics: Feminism at 40, Art in America, Lovelace,(photo/text) pg. 67, May |
| 2003 |
Book Report www.Artnet.com/magazine/index/robinson8-14-02 Walter Robinson |
| 2003 |
Bringing Home the Evolution, Organica, book review (3 photos) |
| 2002 |
No Guts No Glory, New York Times, Oct. 13, Arts and Leisure (photo)p.35 |
| 2002 |
Texte Zur Kunst, 6 page article, 7 photos, by susanne Leeb, June, # 46. |
| 2000-2 |
Numerous reviews of MBE traveling exhibition not yet entered on this list |
| 2000 |
Politiken,
Review of Malmo Exhibition, Kristine Kern |
| 1999 |
Art
in America, Michael Duncan, P111, April |
| 1999 |
Politiken,
Islands Brygge er Stredet,Copenhagen, Denmark,(photo)May 14 |
| 1998 |
Contemporary
Visual Arts, Mary Beth Edelson, Trickster The Agency, Issue 19. |
| 1998 |
Time
Out, London, Mary Beth Edelson, The Agency, Sara Kent, July. |
| 1998 |
Flash
Art, review, Mary Beth Edelson, The Agency, John Slyce, Nov.-Dec.
|
| 1998 |
Springin,
Austria, Female Perversions (exhibition in Berlin), March-May, p.62,
|
| 1998 |
New
York Magazine, ART, p. 70, Jan.5,1998 |
| 1997 |
New
York Times, Holland Cotter, Nov. 21, Weeekend |
| 1995 |
Artforum,
photo and review by Kirby Gookin on Combat Zone, March |
| 1995 |
Art
in America Review of " The Power of Feminist Art". Jan. |
| 1993 |
New
York Avantgarde, Saison, October, cover and 3 photos. Germany |
| 1993 |
Wake-Up
Call, Arlene Raven, Village Voice, p 89, March 9. |
| 1993 |
Art
in America, Eleanor Heartney, review with photo, October.. |
| 1992 |
Dirty
Laundry, Village Voice, photo and review by Elizabeth Hess, p 91,
May 12. |
| 1989* |
Open Letter
to Thomas McEvilley , theoretical article by MBE, New Art Examiner,
pp 34-38, photos, April.
|
| 1988 |
The
Shaman as a Gifted Artist, Mark Levy on Yves Klein, Joseph Beuys,
Mary Beth Edelson & Karen Finley, High Performance, pp 54-61,
photos, Autumn. |
| |
| Selected
Listings of Catalogs |
| 2006 |
WACK! Art and the Feminist Revolution. MOCA, LA |
| 2006 |
Idol: The Iconic Female in Contemporary Art, Katonah Mus., NY |
| 2006 |
How American Women Artist Invented Postmodernism: 1970 - 1975 |
| 2005 |
Eye Contact :A Collaborative Social Project, with Kablevag Kunst and Fimskole, Kablevag, No. Mary Beth Edelson,16 pgs. |
| 2004 |
Humans, Fucking Humans. Lofoten International Art Festival, LIAF 04, Norway |
| 2002 |
Personal and Political, GuildHall Museum, Hamptons, L.I. |
| 2001 |
Century
City: Art and Culture in the Modern Metropolis, Tate Gallery. London. |
| 2000 |
Picturing
the Modern Amazon, New Museum, NYC, Rizzoli |
| 1999 |
Contemporary
Classicism, Neuberger Museum of Art .N.Y. |
| 1997 |
Leonardo
Lives, Seattle Art Museum, Seattle, WA. |
| 1997 |
Vraiment
Feminisme et Art , Magasin, Grenoble, France |
| 1997 |
Original
Visions, McMullen Museum of Art, Boston |
| 1996 |
Love
Gasoline, Mercer Union, Toronto, Canada |
| 1995 |
In-significance,
The Agency, London. |
| 1992 |
Object
Choice, Hallways, Buffalo, NY. |
| 1992 |
Sprung
in Die Zeit, Berlinische Galeria Museum fur Moderne Kunst, Ger. |
| 1992 |
Censored
in USA, Seeing Red White and Blue, Visual Arts Center of Alaska. |
| 1989 |
Vanishing
Presence,"Walker Art Center, MN. |
| 1989 |
Photography
and Performance, Boston Photo Resource Center, MA. |
| 1989 |
Dream
On..., Washington Project for the Arts, D.C. |
| 1988 |
Edelson,
Puryear, Scanga, Stackhouse, Corcoran Gallery of Art, D.C. |
| 1988 |
Committed
to Print, Museum of Modern Art, NY. |
| 1986 |
Other
Gods: Containers of Belief, Everson Museum, NY. |
| 1986 |
Resistance
or Submission, Walter Philips Gallery, Alberta, Canada. |
| |
| Selected Exhibitions |
| 2006 |
Utopiana, An on-going collaboration with the historic utopian village of New Harmony, In. and Mary Beth Edelson with Southern Indiana University |
| 2006 |
A Life Well Lived, A Survey of Mary Beth Edelson's Work, Malmo Museum, Sweden |
| 2006 |
Idol: The Iconic Female in Contemporary Art, Katonah Mus., NY |
| 2006 |
WACK! Art and the Feminist Revolution, MOCA, LA, (Travels to other major sites) |
| 2006 |
How American Women Artist Invented Postmodernism: 1970 - 1975, Rutgers Univ. Gallery, N.J. (travels to five other sites). |
| 2005 |
Different Wavelengths, Tina Kim Fine Art, Alissa Friedman, curator, NYC |
| 2005 |
Guess Who's Coming to Dinner, Remy Toledo Gallery, New York, NY |
| 2005 |
Whispers to Shouts: Indiana Women Who Create Art, Indiana State Museum, Indianapolis, IN |
| 2004 |
Humans, Fucking Humans. Lofoten International Art Festival, curated by Tor Inge Kveum and Gören Christenson, LIAF 04, Norway |
| 2003 |
Mothers of Invention, Mumok Museum of Conteporary Art, Vienna |
| 2003 |
Making Peace, Shedhalle, installation, Zurich, CH |
| 2003 |
2003 Fall Line, Chelsea Art Museum, Chelsea, NYC |
| 2002 |
Goddess, Galleri LeLong, NYC
| 2002** |
Personal and Political, GuildHall Museum , Hamptons, L.I. |
| 2001 |
Century
City: Art and Culture in the Modern Metropolis. Tate Gallery, London. |
| 2000 |
Borders,
Royal Danish Academy, Louisiana Museum, Roskilde Museum of Cont. Art |
| 2000** |
Picturing
the Modern Amazon, New Museum, NYC |
| 2000
|
Borders,
Collaborations: Reneé Green, Jimmie Durham, Douglas Gordon,
Tony Oursler, Edelson. Malmö Art Academy & Royal Danish Acad,
Copenhagen |
| 2000-2 |
Re-scripting
the Story, Traveling Exhibition to 8 sites: Gettysburg,;Franklin &
Marshall, Phillips Museum of Art; Dickinson, Trout Gallery; Univ.
of N. Texas, Fort Worth, TX; Blue Star Art Space, San Antonio, TX.;
Albany Museum, SUNY,NY; Stony Brook Museum ,SUNY. |
| 2000 |
Home-made
Root Beer, Malmö Museer, Malmö, Sweden |
| 1999** |
le
Grand Praemiere Opening Show,, Nicolia Wallner, Copenhagen |
| 1999 |
Censorship,,
Richard Anderson, Chelsea, NYC |
| 1999 |
War
–Artists Bulletin Board, Postmasters, Chelsea, NYC |
| 1999-00** |
Contemporary
Classicism, Neuberger Mus. of Art, N.Y. Travels to Tampa Mus |
| 1998 |
Trickster:
Proposition for a Retrospective, Agency Gallery, London, UK |
| 1998 |
Tip
of the Iceberg, Dorfman Projects, Chelsea, NYC |
| 1997 |
Female
Perversion, halle für kunst, Berlin, Germany |
| 1997** |
Vraiment
Feminisme et Art , curated by Laura Cottingham, Magasin,Centre
National D'Art Contemporain de Grenoble, France |
| 1997** |
Original
Visions, McMullen Museum of Art, Boston, with Agnes Martin, Pat Steir,
Carrie Mae Weems, Magdalena Abakanowitz and Mary Beth Edelson |
| 1997 |
Eye
of the Beholder, Avon Collection, International Center of Photography,NYC |
| 1997 |
Colaboration
MBE with Paul Bloodgood, Art Resourses, Inc. NYC |
| 1997 |
Melkonian,
Bard College, Curatorial Studies, Travels to numerous venues. |
| 1996 |
Nicolai
Wallner Gallery, Copenhagen, Denmark |
| 1996 |
American
Dreaming, curated by Hiedi Zuckerman at Linda Kirkland, NYC |
| 1996 |
Personal
Best, Chaisse Post Gallery at Atlanta Olympics |
| 1996** |
Love
Gasoline, Mercer Union, Toronto, Canada |
| 1996 |
Combat
Zone 2 ,p.s.#122 Gallery, NYC |
| 1996** |
Divine
Flesh, Artopia, curated by Susanne Ramljak, NYC |
| 1995** |
In-significance,
The Agency, curated by Bea de Souza, London. |
| 1995-** |
Sniper's
Nest: Art that has Lived With Lucy R, Lippard, curator Neery |
| 1995 |
Selections
from 1989-1995, Nicole Klagsbrun Gallery, NYC. |
| 1995 |
Tarot,
curated by Amy Lipton, Lombard/Freid, NYC |
| 1994-5 |
Combat
Zone: Campaign Hq against Domestic Violence. sponsored by
Creative Time. NYC |
| 1994 |
Yes
I Am, No I'm Not, Momenta , Eric Heist and Laura Parnes, curators,
NYC. |
| 1993-00** |
Action/Performance
and the Photograph, Turner/Krail Galleries, L.A. |
| 1993 |
Coming
to Power, David Zwirner Gallery, NYC. |
| 1993 |
A/C
at 303, Paul Bloodgood and Alissa Friedman, curators, 303 Gallery,
NYC. |
| 1993 |
Obala
Theatre, Sarajevo, former Yugoslavia. |
| 1993** |
A
Non-Survey of Photographic Works in Two Parts: Hopelessly Essentialist
(Think Again) Early Body Works 1970-1977, Nicole Klagsbrun Gallery,
NYC. |
| 1993 |
Context:
Chiffon Pieces and Photographs, 1977-1993, A/C Project Room, NYC. |
| 1992 |
Object
Choice, Hallwalls, Ken Gonzales Day and Andrew Perchuk, curators. |
| 1992 |
Shape
Shifters, Amy Lipton, NYC. |
| 1992 |
Between
the Sheets, PPOW , NYC. |
| 1992 |
Paper
Show, Kiki Smith, curator, Joe Fawbush Gallery, NYC. |
| 1992 |
Group,
Galerie Rizzo, Paris, France. |
| 1992 |
In
Your Face: Politics of the Body and Personal Knowledge, A/C Project
Room, NYC. |
| 1992 |
The
Fetish of Knowledge, A/C Project Room, NYC. |
| 1992 |
Salon/
Back Room , Dooley Le Cappelaine Gallery, NYC. |
| 1992 |
Censored
in the USA: Seeing Red ,White and Blue, Visual Arts Center of Alaska. |
| 1990 |
Universal
Pictures: The Paintings, Dolan/Maxwell, NYC. |
| 1991 |
Salvage
Utopia, A/C Project Room, NYC. |
| 1991
|
Shooter's
Hill, A/C Project Room, NYC. |
| 1990-89** |
Vanishing
Presence, Adam Weinberg, curator, Walker Art Center, MN. Book pub.
Rizzoli, essays by Eugenia P. Jamos and Max Kozloff, traveled to Detroit
Art Inst.,
High Museum, Atlanta, Johnson Museum, Cornell, Virginia Commonwealth
Univ.,
Anderson Gallery. |
| 1988-90** |
Shape-Shifter:
the Art of Mary Beth Edelson, 15-year retrospective incl. unique
wall painting installed at each site, 64 p. book, video interview
with Donald Kuspit,
traveled to Univ. of Tennessee, Hillwood Art Museum, L.I., Ft. Wayne
Art Mus.,
IN, Kenyon College, OH, Emison Art Center, DePauw University, IN. |
| 1989 |
Universal
Pictures: the Drawings, Dolan/Maxwell, PA. |
| 1989** |
Dream
On..., Washington Project for the Arts, Washington, D.C., major wall
painting installation with catalog and lecture. |
| 1989** |
Photography
and Performance, Photographic Resource Center, Boston,
other artists: Ulay and Marina Abramovic, Cindy Sherman, Arnulf Rainer,
catalog, lecture, wall painting installation. |
| 1989** |
Four
Artists: Mary Beth Edelson, Martin Puryear, Italo Scanga, Robert
Stackhouse, Corcoran Gallery of Art, Washington, DC, major wall painting. |
| 1989-90** |
Committed
to Print, Museum of Modern Art, NYC, Deborah Wye, curator,
catalog & national tour, slide set by Sandex. |
| 1989** |
Resistance
or Submission, . Other artists: Komar and Melamid, Michael Tracy,
Tony Oursler, Alex Gray, catalog, major wall painting at each of the
sites: Mendel
Gallery, Saskatoon, Musee du Quebec, London Regional Gallery, Phillips
Gallery. |
| 1986** |
Fish
in the Sky, Danforth Museum, Boston, Lasse Antonsen, curator |
| 1986 |
Phases
of the Loon, P.S.1, NYC. Edward Leffingwell, curator. |
| 1984 |
Art
Against Apartheid, NYC. |
| 1983 |
A
Path Without Shores, Cologne, Germany, Ulrike Rosenbach, curator. |
| 1983** |
New
York Painting Today, Pittsburgh Glass, Donald Kuspit & Elaine
King, curators. |
| 1983** |
New
Work: A Future Vision, Hewlett Gallery, Carnegie Mellon Univ., PA. |
| 1983 |
Pollyanna
Perverse, A.I.R. Gallery, NYC. |
| 1981-82 |
A
Survey of Photographic Works by Mary Beth Edelson, Wright State Univ.,
OH.;
traveled to N.A.M.E. Gallery, Chicago, Herron School of Art Gallery,
IN. Univ. |
| 1981
|
The
Archaeology of Trickster Rabbit (in Re-cycled time), from the Immodest
Trickster series, A.I.R. Gallery and Max Hutchinson Gallery, NYC. |
| 1981 |
Unfinished
Plans for Utopia, Elise Meyer, NYC. |
| 1980 |
Mary
Beth Edelson: Recent Work, Albright-Knox Art Gallery, Buffalo, NY. |
| 1980** |
Contemporary
Performance, Contemporary Art Center, New Orleans, LA,
Mary Jane Jacob, curator. |
| 1979** |
International
Feministiche Kunst, Stichting de Appel, Amsterdam, Holland.
(Toured four major European museums.). |
| 1979 |
The
Nature of Balancing, A.I.R. Gallery, NYC. |
| 1978** |
Story
Gathering Boxes, Franklin Furnace, NYC. |
| 1977 |
In
Honor of Oyvind Fahlstrom: Exposition of His Friends, Galerie Bucholz,
Munchen, Germany. |
| 1977 |
Proposals
for: Memorials to the 9,000,000 Women Burned as Witches in the
Christian Era, A.I.R. Gallery, NYC. |
| 1977 |
Your
5,000 Years Are Up! , Mandeville Gallery, UCSD, LaJolla, Arlene Raven,
curator. |
| 1975** |
Giving
Myself a Five Year Retrospecive, A.I.R. Gallery, NYC. |
| 1975** |
Woman
Rising, Henri Gallery, Washington, D.C. |
| 1973** |
22
Others, Henri Gallery, Washington, D.C. |
| **Exhibitions
with catalogs. |
| |
| Selected
List of Public Lectures, Workshops, Panels and Teaching |
| 2005 |
The Portrait Project, YADDO residency presentation |
| 2004 |
LIAF (Lofoten International Art Festival), seminar presentation Practicing Theory :Making Eye Contact with the Other |
| 2004 |
NamNam Resturant Project Workshop, Lofoten, No. at Film and Art School, Kablevag |
| 2003 |
2003 NomadicCommunities:Int€'lFemCollaboativeofthe70'sandFindingCommunityToday, Performative presentation at Mothers of Invention,Mumok Museum of Contemporary Art, Vienna |
| 2003 |
Making Peace, Performative lecture, Shedhalle, Zurich, CH |
| 2001-04 |
Danish Royal Academy, Copenhagen |
| 2000-2 |
Not
Just a Joke: Humor, Activism and Movie Star’s in Edelson’s
Art,, Franklin &
Marshall, Dickinson, No. Texas U, Blue Star, Tx, Albany Museum, Stony
Brook Museum, NY. |
| 2000 |
Who
Does She Think She Is? Identity and Humor. Gettyberg workshop |
| 2000 |
Royal
Danish Academy Seminar, Borders: Branching Out |
| 1999 |
The
Goddess in Pop Culture, Nancy Spero, Jane Kromm & MBE. Neuberger
Museum |
| 1997 |
Committing
Heresies, Lucy Lippard, Betsy Hess, Joyce Kozloff & MBE, A.I.R.,
NYC |
| 1997 |
Useable
Issues: A Conversation on Community, MBE and Paul Bloodgood, NYC |
| 1997 |
Re-scripting
the Story, Lecture, McMullen Museum of Art, Boston |
| 1997 |
halle
für kunst. Univ. Lüneburg e.V., lecture in East Berlin,
Germany |
| 1996 |
Det
Kongelige Danske Kunstakademi, lecture, Copenhagen, Denmark |
|
1995
|
Contemporary
Projects, University of So. Florida, lecture and juror. |
| 1994 |
Series
of workshops on Domestic Violence held at the first Combat Zone, NYC |
| 1994 |
Fearless
in the Artworld, Clemson University, SC. |
| 1993 |
University
of Colorado, Boulder. seminar. |
| 1989 |
How
Does the Nature/Culture Split Effect our Environment?, discussant
Mary Beth Edelson, Storefront for Art and Architecture, NYC. |
| 1989 |
Metaphysical
Paradigms, lecture, National Museum of Women in the Arts, D.C. |
| 1989 |
Walker
Art Center MBE presented a performance and panel for symposium. |
| 1988 |
Feminism:
Its Cultural Implications, Judith Russi Kirschner, Carol Becker,
Bruce Guenther, Ann Lee Morgan, James Yood, Artemisia Gallery, Chicago. |
| 1984 |
Corcoran
School of Art, Keynote graduation address. |
| 1983 |
Political
Attitudes, Kruger, Kuspit, Rosler, Gornik, Rifka and MBE, A,I.R.,
NYC |
| 1982 |
Artist
Seminar, Whitney Museum of Art, NYC. |
| 1981 |
Personal
Ecologies, lecture at Whitney Museum of American Art, Fairfield County. |
| 1980 |
Albright-Knox
Art Gallery, lecture and workshop. |
| 1980 |
The
Artist and The Shaman: Evolution in Culture and Consciousness, Joan
Halifax & Mary Beth Edelson, sponsored by the Mellon Program at
Pratt, NYC |
| 1977-00
|
Over
70 public lectures at various museums and universities |
| |
| Grants Received 2000-2004 |
IASPIS (International Artists Studio Program In Sweden), 6 months, 2006
Yaddo Residency 2005
National Endowment for the Arts 1999-2000
The Richard Florsheim Art Fund 1999-2000
The Thanks Be to Grandmother Winifred Foundation 1999-2000
Pollack-Krasner Foundation 2000-2001
Andy Warhol Foundation for the Visual Arts 2000-2001
IASPIS residency- Malmo, Sweden 2005-2006
|
|
|